Either go for a formal biography of the Grimms or just create an anthology of fantasy tales, as the mix becomes less than compelling. World really should’ve committed to one side or the other. It also spends too little time with the acted-out fables to satisfy in that matter. Because World spends so much time with the fairy tales, we lose track of Wilhelm and Jacob too often.Īs such, World acts as a poor take on their narrative. In this case, however, the combination of biography and fantasy doesn’t mesh. A version with tastes of the fables – or in which the Grimms maintained a stronger presence – would fare better. I understand the desire to act out some of the Grimm fantasies, but World goes too far. While the filmmakers attempt to segue in/out of these domains, the shifts don’t succeed and the two sides fail to gel. This means World essentially grinds to a halt when it shifts from "real world” to fantasy. However, this one can’t find a good way to balance its two sides. World splits pretty evenly between material with the Grimm boys and renditions of the fairy tales they spin.Ī better-made version of this narrative might effectively meld the two. The main issue stems from the bifurcated nature of the program. As great as World looks, the actual film doesn’t work especially well. Unfortunately, all this impressive visual material comes in the service of a pretty forgettable movie. A few stand out as showstoppers in the way they utilize all that cinematic real estate. Nonetheless, the width of the image does impress, especially during the sequences that take the best advantage of it. However, these sectors tend somewhat superfluous information a lot of the time. Not that nothing occurs in the right or left thirds of the screen, as they come with a reasonable amount of information. Whereas it enjoys a massively wide image, in reality the action settles on the center of the screen most of the time. As they create some of these works, we see some of the fables brought to life.Īs mentioned, World offers one of only a few feature films shot in the Cinerama format, and that makes it a feast for the eyes – mostly. While the practical Jacob wants to plod through this biography, more fantasy-minded Wilhelm prefers to write up fairy tales. However, they don’t find their hearts in this task. ![]() ![]() Set in Prussia circa the early 19th century, brothers Jacob (Karl Boehm) and Wilhelm Grimm (Laurence Harvey) get a contract to write the family history for a local Duke (Oscar Homolka). For one of these, we go to 1962’s The Wonderful World of the Brothers Grimm. However, a few features used true Cinerama. Most of the handful of these films leaned toward travel documentaries. Reviewed by Colin Jacobson (March 23, 2022)ĭue to the complexities of its three-camera/three-projector format, the ultra-widescreen Cinerama system never really came into common use. SVS SB12-NSD 12" 400-watt Sealed Box Subwoofer Sony UBP-X800 4K Ultra HD Blu-ray Player ![]() Marantz SR7010 9.2 Channel Full 4K Ultra HD AV Surround Receiver LG OLED65C6P 65-Inch 4K Ultra HD Smart OLED TV “Location Commemorative Plaque” Featurette.“Rescuing a Fantasy Classic” Featurette.“The Wonderful Career of George Pal” Featurette.The story of Wilhelm and Jacob Grimm as well as some of their stories. Harmon, Charles Beaumont, William Roberts Laurence Harvey, Claire Bloom, Barbara Edenĭavid P. Review Archive: # | A-C | D-F | G-I | J-L | M-O | P-R | S-U | V-Z | Viewer Ratings | Main The Wonderful World of the Brothers Grimm (1962)
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